Subject Placement in American Gothic, The Third of May, Acrobat’s Fami

Subject Placement in American Gothic, The Third of May, The Acrobats Family, and The Waterseller Besides bright or dim colors, and fine or unruly brush strokes, artists use centralized com do to convey their interpretations in The Acrobats Family with a Monkey, Amercian Gothic, The Water-Seller, and The Third of May,1808. Grant Wood strategically places objects and characters to emphasize the central object, the pitchfork, expressing an strain of unwelcomness, in his painting American Gothic. The pitchfork attracts the witnesss attention as the get on prominent feature of the painting. Its sharpness and rigidity cause the viewer to observe uncomfortable and uninvited. The elderly couple behind the pitchfork further exemplifies Woods emplacement technique. Wood gives the pitchfork more significance by placing it in the boil down in front of the couple. The pattern in the mans overalls resembles the pitchfork, which is a resuscitateence back end to the pitchfork, further supporting the theme of the painting. The couple becomes analogous to a No Trespassing sign. They do not want anyone to be around. At the snarf of the painting, the windows of the house resemble a churchs windows. The sharpness and straightness in the windows refer to the pitchfork again. Although the house resembles the actual church it is also used to take place the theme of unwelcomeness. A hard to notice aspect of the painting is the cactus near the front door of the home. The cactus replaces the traditional welcome mat. No one would go near the front door due to the possible harm. The sharpness from the thorns of the cactus reminds the viewer again of the pitchfork in the center of the painting. Woods ... ... lesser experience than the water-seller causes him to buckle under to the water-sellers maturity therefore, he stands in the background, watching the process and increasing his knowledge. The water-seller himself stands to the further inti mately right of Velazquezs painting, occupied with pouring water into a shabu for the boy. He has lived longer than the other males in the painting and therefore has the most knowledge and the most experience of them all. The water-seller also appears to be the most expansive of the three dressed in red robes, which are similar to those that energy be worn by a Cardinal, thereby reflective of his position in life. Many of these artists works contain subtle hints to the authors opinion on the subject. By analyzing their central compositional effects, the viewer can obtain a greater appreciation and understanding for the art.